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The centre of the film is Saul Ausländer (played by Géza Röhrig), a Hungarian Jewish man who works with the Sonderkommando, a supposedly privileged and special work group comprising of prisoners that dispose of the bodies of those slaughtered in the gas chambers. It's a less sophisticated version and is basically a one-shot short with a lot of camera movement, but it does have many aspects we used later." Not that Erdély was aware of this at the time: "Without my knowing, that film was a study of the language of Son Of Saul. The two had worked together previously on three short films, the first of which, With A Little Patience (2007), laid down the grammar and technique for Neme's feature debut. When he came to shoot the film, cinematographer Mátyás Erdély found that he was not entirely unfamiliar with the approach director László Nemes wanted to take. Industry Wide Shot Examining developments in the core market sectors, focusing on the major players and companies making waves.Masterclass Breaking down iconic and technically-challenging sequences with on-set insight from the cinematographers who lit them.Tech-nique Highlighting interesting applications of technology and technical kit through conversations with a variety of cinematographers.Commercial Break Examining the exceptional work being produced in the commercials space.
#Son of saul interview movie
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Source - Visit Hungary Matters to sign-up for MTI’s twice-daily newsletter. In the first version, Nemes Jeles was quoted as saying that Hungary has been “playing with fire” for a long time, as certain politicians incite to anti- Semitism while the Orbán government has resolutely stood up for the Jewish communities. In Germany, Austria, France or Israel we did not manage to get funding or to find co-producers.”
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… In turn - and this is a paradox - only Hungary, its National Film Fund, was ready to finance the film. “There is no broad consensus about anti-Semitism destroying all kinds of national cohesion. “The Holocaust is still seen by many as something which Hungary had nothing to do with - either on the victims’ or the perpetrators’ side.” In the first version, Nemes Jeles was quoted as saying that there are still a lot of Hungarians who hate Jews, and if they could they would reopen concentration camps “sooner rather than later”.Īsked about the West’s concerns over the rise of the extreme right in Hungary and how anti-Semitic the Orbán government is, the director said in the new version that open and unbridled anti-Semitism has traditions in Hungarian politics just as in other central and eastern European nations. He was not surprised by the negative comments as anti-Semitic attitudes are still widespread in Hungary and can be experienced in public discourse day by day. In the first version, the paper quoted Nemes Jeles as saying that the majority of Holocaust films, including Schindler’s List or La Vita e Bella, are “simply stupid”.Īsked if he was surprised by the largely negative reception of the film in Hungary, the director said that the Son of Saul was one of the most popular films here last year. The Son of Saul, in turn, focusses on the fate of individuals in the process of annihilation, and does not let the viewer remain an outsider said. The new version quoted the director as saying that “most Holocaust films give the viewer a sense of security and offer them to be strictly observers. The awards and nominations enable us to promote and screen the film in as many countries as possible.” In the original version, the paper quoted him as saying that he was surprised by the accolades his film received, but he is also “bored” by them and sees film festivals and award galas as “superficial” events. However, we were not at all prepared to receive such a response, such a global attention. Asked if the success of the film nominated for an Academy Award surprised him, Nemes Jeles said in the new version that “we made a novel approach to the Holocaust and hoped that it would touch a part of the audience.